Jesus Christ Superstar Amazes Patrons in Austin

Aaron LaVigne and Jenna Rubaii and the company of the North American Tour of JESUS CHRIST SUPERSTAR. Photo by Matthew Murphy.

Aaron LaVigne and Jenna Rubaii and the company of the North American Tour of JESUS CHRIST SUPERSTAR. Photo by Matthew Murphy.

Lexus Broadway In Austin’s presentation of “Jesus Christ Superstar” raucously tells the story of Jesus in the final dramatic days leading up to his crucifixion.

Having no spoken dialogue, this modern day rock opera, with music by Andrew Lloyd Webber and lyrics by Tim Rice is loosely based on the biblical Gospels, focusing on the personal tensions between Jesus, his disciples, the people of Israel, and the leadership of Rome.

Unique among biblical retellings, this theatrical portrayal makes great emphasis of Judas’ concerns for Jesus’ increasing popularity and the potential negative repercussions from local authorities that may ensue, as Judas criticizes Jesus for accepting his followers’ unrealistic beliefs in him. Meanwhile, Caiaphas, the High Preist of Israel, assembles the Pharisees together at the Sanhedrin to hold council about Jesus and his disciples unwillingness to accept the Romans as their rulers and the threat of imperial authority being debased. Caiaphas soon concludes they kill Jesus for the greater good, and the Pharisees concur upon his decision.

Upon Jesus’ exultant arrival in Jerusalem, Pontius Pilate, the governor of Judea, has a dream in which he meets with the Galilean and then receives all of the blame for the man’s violent and mournful death, predicting the rise of Christianity.

Chorus upon chorus regale the familiar epic history that follows with Judas’ betrayal of Jesus to the Pharisees, the last supper, Peter’s three-time denial of Jesus, the Garden of Gethsemane, Judas’ kiss upon Jesus cheek inciting his apprehension by Roman soldiers, the numerous interrogations and tortures that ultimately placed the Man from Galilee upon the rough timbered surface of the cross, all the while Mary Magdalene and countless followers stand helplessly by as Jesus is raised in to the air for his final pains taking breath and ignite a movement singular only to not only the King of the Jews, but the Son of God.

Visit Lexus Broadway in Austin for more details at https://austin.broadway.com/shows/jesus-christ-superstar/.

38th Anniversary of Princess Diana and Prince Charles Celebrate Their Union with the Princess Diana Musical

 

July 29th marked the 38th anniversary of the marriage between Princess Diana and Prince Charles.

All of August many will be remembering the life of Princess Diana. Karen Sokolof Javitch has written the Princess Diana Musical which brings to life the Princess’ relationship with Prince Charles, focusing on their courtship, marriage and divorce.

Besides Karen’s 15 albums, she has co-written four musicals and was the creator and co-host of a popular Omaha radio show, It’s the Beat. Her musicals include Princess Diana the Musical, From Generation to Generation, and Love at the Café.  These shows have been performed in many cities in the United States. In addition, Ms. Javitch has raised over $350,000 for national and local charities with her original music.

The marriage is still the most watched royal wedding in history.  Millions still remember how Princess Diana omitted the word “obey” for the first time ever in a royal wedding.

Karen wrote all 33 of the songs for the Musical. The songs reflect Diana’s transition from being an unknown 19-year old to becoming the most famous woman in the world.

Karen’s diverse creations include songs about exercising, celebrities, holidays, political figures, babies, children, math, patriotism, love and family.

The musical has been played in multiple cities across the country. You can find info about the musical and the rest of her music at her website.  https://jmrproductions.com/.

We’re pleased to have the opportunity to chat briefly with Karen Sokolof Javitch and share highlights of our conversation. 

InFluential Magazine:  What about Princess Diana inspired you to make this musical? 

Karen Sokolof Javitch:  I was always drawn to her compassion and her empathy for the downtrodden.  She knew what pain was – as she felt abandoned at age 6 when her mother was forced to leave after her parents’ divorce.

InFluential:  What song is your favorite off the musical?  

Karen:  The songs range from fun to serious to hopeful and much more.  I have two favorites – the love song There was a Time is the break-up song between Diana and Charles.  It expresses how she loved him but there was always doubt about whether he loved her.  My other favorite is Hope in my Heartbecause that is what Diana gave to all of us.  We still miss her and long for her love after 22 years. She would be very proud of her boys, William and Harry and how they are following in her footsteps.

InFluential:  What other music have you been working on? 

Karen:  I like to write current event songs – especially about politics because there is so much going on. I have fun writing political satires like – Why Don’t You run for President? and ‘We’re so Unhappy with Our Leaders.” You can find them on YouTube! I also love to write children’s songs – many of those songs are found on YouTube with cute animation!

InFluential:  One of your songs,Here in the Nursery, about the mother who had octuplets went viral with about 10 million YouTube views. What are some of your most popular songs and music videos? 

Karen:  My best-selling album is the one about Princess Diana and I have put many of those songs on YouTube.  My children’s songs are popular, and I have a family musical – From Generation to Generation that has a lot of fun and beautiful songs.  My children’s math album, You’re Math-errific, also does really well.

InFluential:  Where may people find your music? 

Karen:  My website – JMRProductions.com and on CDbaby.com, Spotify, and iTunes. Just type in my name – Karen Javitch and you can find my music!

‘Princess Diana: the Musical’ Playing in Theaters Across U.S.

Written by Merilee Kern, ‘The Luxe List’ Executive Editor

 

With July 29th having marked the 38th anniversary of the marriage between Princess Diana and Prince Charles, it’s a poignant reminder of how beloved “Princess Di” was in life and so remains in death. With this in mind, award-winning singer-songwriter Karen Sokolof Javitch has written the “Princess Diana: the Musical” that spotlights Princess’ relationship with Prince Charles, focusing on their courtship, marriage and divorce.

“The marriage is still the most watched royal wedding in history,” notes Javitch. “Millions still remember how Princess Diana omitted the word ‘obey’ for the first time ever in a royal wedding, and so began a reverence for this maverick royal.”

For this touching, one-of-a-kind musical, Javitch wrote all 32 of the songs, arranged by Chuck Penington of Mannheim Steamroller, which reflect Diana’s transition from being an unknown 19-year old to becoming one of the most famous women in the world. Not surprisingly, the musical is gaining in popularity and has been produced by theater groups and troupes in multiple cities across the United States.

Musical theater buffs may listen to one of the songs from the show, “There Was a Time,” that was the main song to “Princess Diana: The Musical,” here and the full array of songs may be accessed on Javitch’s web site here.

Besides Javitch having co-written four musicals performed throughout America, she’s also produced no less than 15 albums with original music and was the creator and co-host of a popular radio show, “It’s the Beat.” Her family-friendly music includes a variety of songs about exercising and good health, celebrities, holidays, weddings, politics, children, babies, education, patriotism, love and family.  Also philanthropic, Javitch has raised over $350,000 for national and local charities through her original music.

Especially this month, Javitch’s Princess Diana: the Musical represents one phenomenon celebrating another—a noble endeavor indeed. 


As the Executive Editor and Producer of “The Luxe List,” Merilee Kern, MBA is an internationally-regarded brand analyst, strategist and futurist. As prolific consumer trends, lifestyle and leisure industry voice of authority and tastemaker, Merilee keeps her finger on the pulse of the marketplace in search of new and innovative must-haves and exemplary experiences at all price points, from the affordable to the extreme. The best-of-the-best across all product, service and travel categories—as well as noteworthy marketplace change makers, movers and shakers—are spotlighted in her exclusive cross-media platform that reaches multi-millions each month through several syndication channels: print and online publications as well as broadcast TV and terrestrial radio. Connect with her at
www.TheLuxeList.com / Instagram www.Instagram.com/LuxeListReviews / Twitter www.Twitter.com/LuxeListEditor / Facebook www.Facebook.com/TheLuxeList / LinkedIN www.LinkedIn.com/in/MerileeKern.

***Some or all of the accommodations(s), experience(s), item(s) and/or service(s) detailed above may have been provided at no cost or sponsored to accommodate this review, but all opinions expressed are entirely those of Merilee Kern and have not been influenced in any way.***

Jesus Christ Superstar to Launch its 50th Anniversary National Tour at Austin’s Bass Concert Hall from October 8-13

WHO:                   Lexus Broadway in Austin presented by Texas Performing Arts

WHAT:                  Jesus Christ Superstar 50th Anniversary Tour

WHEN:                 October 8 – 13, 2019

Tuesday – Friday at 8 p.m.; Saturday at 2 p.m. & 8 p.m.; Sunday at 1 p.m. & 7 p.m.

WHERE:               Bass Concert Hall | 2350 Robert Dedman Drive | Austin, TX 78712

TICKETS:               Start at $30.Tickets are available at BroadwayinAustin.com, texasperformingarts.org, the Bass Concert Hall ticket office, all Texas Box Office Outlets, by phone at (512) 477-6060.  For groups of 10 or more, call (877) 275-3804 or email Austin.groups@broadwayacrossamerica.com.

Following critically acclaimed, sold-out engagements in the UK, the reimagined 50th Anniversary tour of JESUS CHRIST SUPERSTAR will launch its national tour at Austin’s Bass Concert Hall from October 8 – 13, 2019. The 2017 Olivier awarding-winning production from Regent’s Park Open Air Theatre goes on sale to the general public on Friday, July 12 at 10:00 a.m.

Featuring award-winning music by Andrew Lloyd Webber and lyrics by Tim Rice,the North American tour of this iconic musical will be helmed by acclaimed director Timothy Sheader and cutting-edge choreographer Drew McOnie. Rounding out the creative team is set and costume design by 2016 Tony Awardnominee, Tom Scutt, lighting design by Lee Curran, and music supervision by Tom Deering.

JESUS CHRIST SUPERSTAR is set against the backdrop of an extraordinary series of events during the final weeks in the life of Jesus Christ, as seen through the eyes of Judas. Reflecting the rock roots that defined a generation, the legendary score includes ‘I Don’t Know How to Love Him’, ‘Gethsemane’ and ‘Superstar’. 

JESUS CHRIST SUPERSTAR is a proven musical phenomenon with a world-wide fan base. As demonstrated by NBC’s Jesus Christ Superstar Live in Concert, this epic work attracted over 9.6 million viewers, earned the highest ratings in its time period, and received the highest critical ranking of any live musical event on network TV. Now, almost 10 years after the last major tour in the US, this award-winning Regent’s Park production will play over 50 markets throughout North America.

Regent’s Park Open Air Theatre production of JESUS CHRIST SUPERSTAR won the 2017 Olivier Award for Best Musical Revival, selling out two consecutive engagements in 2016 and 2017. The production will open for a limited engagement on West End, this summer at the Barbican.

The North American tour of JESUS CHRIST SUPERSTAR is produced by Stephen Gabriel and Work Light Productions. The original production was produced by London’s Regent’s Park Open Air Theatre.

For additional information about this production, please visit ustour.JesusChristSuperstar.com.

Facebook & Instagram: @JesusChristSuperstar | Twitter: @JCSTheMusical

TEXAS PERFORMING ARTS is situated on the main campus of one of the largest and most prestigious research universities in the country.  Texas Performing Arts serves The University of Texas at Austin campus and the Austin community at large through a diverse season of world-class fine arts performances, educational activities, and collaborative partnerships.  Texas Performing Arts presents an international season of music, theatre, dance, and conversation in our multiple venues, as well as the best in touring Broadway productions and concert attractions. As a university-based arts center it is also committed to serving the academic mission of the College of Fine Arts by supporting the work of our students, faculty and staff on our stages, classrooms, studios and production shops; and in the educational outreach programs it provides for the Austin community.

BROADWAY ACROSS AMERICA (BAA) is part of The John Gore Organization family of companies, which includes Broadway.com and The Broadway Channel.  Led by 11-time Tony-winning producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 44 markets with over 400,000 subscribers. Current and past productions include Beautiful, Cats, Chicago, Dear Evan Hansen, Groundhog Day, Hairspray, Hello, Dolly!, Million Dollar Quartet, On Your Feet!, The Producers, School of Rock and Waitress. Broadway.com is the premier theaterwebsite for news, exclusive content and ticket sales. For more information please visit BroadwayAcrossAmerica.com and Broadway.com.Presented by Texas Performing Arts. Broadway Across America provides production services for Texas Performing Arts. Sales tax exempt pursuant to Texas Tax Code Section 151.3101(a)(3).

Brisk Festival L.A. Will Take Place from July 11 through August 11

The brisk festival is an international theater Festival that features short plays up to 10 min long. What makes live theater so special is the human interaction, both between the players on stage and between actors and audience. The brisk festival multiply that raw and creative energy, with different ensembles, directors and writers exchanging ideas, learning from each other and training inspiration. The short stories allow audiences to experience in a very limited amount of time a wide range of emotions and feelings, making them think and talk about different subjects and situations brought by the more than 250 talented participants.

The festival was founded in 2018 in Los Angeles, by the Spanish actor, producer, director and member of The Actors’ Gang, Christian Rodrigo. Some of his latest credits as an actor, include: Snatch (Season 2), No Way Out, Wings or Stevie (Christian Rodrigo IMDB: https://www.imdb.com/name/nm2251654). Christian Rodrigo first professional theater project was as an Assistant Director of John Malkovich in 2003 and 2004 when he directed the play Hysteria in Barcelona and Madrid.

The brisk festival is a wonderful tool for writers, directors and actors, that want to share their voice and talent in a professional environment and venue.

The festival goal is to become a powerful tool for the entertainment industry, as a way to discover new or established local talent, and to engage and bring bigger audiences to the theater. The festival also wants to be an example of diversity and plurality.

Christian Rodrigo

Christian Rodrigo

Full Emotions, with more than 12 years of experience producing films, television and theater is in charge of producing the festival. Los Angeles and Mexico DF in America, and Barcelona and Madrid in Europe are the first cities chosen to host the festival in 2019 and 2020. Los Angeles Brisk Festival production will be lead by Christian Rodrigo and the Mexican producer and actor, Ramon Valdez.

The festival has 8 programs of 6-7 plays each, 54 short plays in total, that will be competing during 4 weeks, out of 350 submissions received. 34 plays are in English and 20 in Spanish. And although most of them are produced by LA local companies, there will be also artists coming from Mexico, Florida, and Australia in this first edition.

The best plays, chosen by a professional Jury (casting directors, producers, directors, actors, writers, managers and agents) and by a popular jury (the audience), will be competing in the Finals’ weekend during the 5th week of the festival, August 10th and 11th. The best play in English and the best play in Spanish will receive an award of $500.

The festival organizers are happy to share that the number of women and men participating in the different areas of the festival (from writers or directors to actors or producers) is really balanced.

Among many great writers, the festival will have works from: the Emmy and WGA winner Ken Levine and Emanuel Fried and Artvoice winner Donna Hoke.

Brisk LA (Los Angeles brisk festival) will begin on July 11th and will be based at the Broadwater Main Stage at 1076 Lilian Way, Los Angeles, CA 90038. Tickets start at $15.00 (plus taxes & fees) and are available at https://briskfestival.com/tickets/.

World Premiere of Terrence McNally’s Immortal Longings at Zach Theatre

Directed by Peter Rothstein | Choreography by Kelli Foster Warder 

(L to R) Suzanne Warmanen and Steven Epp in Immortal Longings at ZACH Theatre. Photo by Kirk Tuck

(L to R) Suzanne Warmanen and Steven Epp in Immortal Longings at ZACH Theatre. Photo by Kirk Tuck

The world premiere of Immortal Longings at ZACH Theatre, the newest work by playwright and American Theatre Legend Terrence McNally starring Steven Epp as Sergei Pavlovich Diaghliev and Wyatt Fenner as Vaslav Nijinsky; directed by Peter Rothstein; and choreography by Kelli Foster Warder, will play The Topfer at ZACH.  Performances begin June 12 with an Official Opening date of June 20 and running through July 14.

Four-time Tony Award®-winning playwright and LGBT activist Terrence McNally (RagtimeKiss of the Spider Woman) expresses his excitement on casting, “Thanks to the audition process, we found wonderful actors from both Austin and New York ideal for their roles. My hope is that these actors will bring their uniqueness to the play. We have no preconceptions about what these roles are. I’ll discover these characters along with the actors in Austin.” McNally expands on Immortal Longings, “First, we hope the play is a treat; second, plays about a genius like Diaghilev, the great Russian impresario, are not exactly a dime a dozen. His work with the Ballets Russes is the stuff of legends.”

(Front) Stephen Epp (Back, L to R) Marie Pearce, Ian J. Bethany and Kevin Murdock-Waters in Immortal Longings at ZACH Theatre. Photo by Kirk Tuck

(Front) Stephen Epp (Back, L to R) Marie Pearce, Ian J. Bethany and Kevin Murdock-Waters in Immortal
Longings at ZACH Theatre. Photo by Kirk Tuck

Immortal Longings explores the rich history of the great Russian impresario Sergei Pavlovich Diaghilev and his legendary Ballets Russes, who introduced the world to such revolutionary artists as Nijinsky, Stravinsky and Picasso. Surrounded by great talents of art, design, and music, the tempestuous relationship between Diaghilev and dancer Vaslav Nijinsky revolutionizes dance forever. The play takes place as the iron claw of the Bolsheviks closes in on the free spirits of New Art, forcing them to take refuge in a liberated and liberating Paris, at the birth of the 20th Century.

In addition to STEVEN EPP as Sergei Pavlovich Diaghliev and WYATT FENNER as Vaslav Nijinsky, Immortal Longings will star; JAMES PATRICK NELSON as Dmitry “Dima” Filosofov;SHANNON KOOB as Misia Sert; SUZANNE WARMANEN as Dunya; JOSHUA PAGAN as Leonide Massine; RACHAEL HANLONMARIE PEARCEKEVIN MURDOCK-WATERS, and IAN J. BETHANY as Ballet Ensemble; and ROB GREENFIELD as Pianist.

(L to R) James Patrick Nelson and Shannon Koob in Immortal Longings at ZACH Theatre. Photo by Kirk Tuck

(L to R) James Patrick Nelson and Shannon Koob in Immortal Longings at ZACH Theatre. Photo by Kirk
Tuck

Directed by PETER ROTHSTEIN, the production team also includes KELLI FOSTER WARDER as Choreographer, MICHAEL HOOVER as Scenic Designer, SUSAN BRANCH TOWNE as Costume Designer, SERRET JENSEN as Hair and Makeup Designer, PHILIP ROSENBERG as Lighting Designer, CRAIG BROCK as Sound Designer, SCOTT GROH as Properties Designer, ROD SIMONSON as Projection Designer, AMANDA COOLEY DAVIS as Dialect Coach, and CATHERINE ANNE TUCKER as Stage Manager.

Age recommendation: Seventeen and up for adult language, sexual situations and full nudity.

Tickets start at $25 and are available online at zachtheatre.org, by phone at 512-476-0541, or in person at the ZACH Theatre Box Office, in the Topfer Theatre, 202 South Lamar Boulevard (corner of Riverside Drive and South Lamar) Monday through Saturday, 12–5p.m.  ZACH Theatre is wheelchair accessible.  Student Rush Tickets are $20 one hour before show time (with valid ID). A limited amount of Pay–What–You–Will tickets are available the day–of for Mainstage preview performances only. Groups of 8 or more may request reservations by calling  512-476-0594 x.245 or by emailing groupsales@zachtheatre.org.

Carolyn and Marc Seriff are Presenting Sponsors of Immortal Longings with Kathleen and Harvey Guion and Dan Jackson III and M. Jeremy Guiberteau as Executive Producers and KMFA as Supporting Sponsor.

CAST

Steven Epp – Sergei Pavlovich Diaghliev

Wyatt Fenner – Vaslav Nijinsky

James Patrick Nelson – Dmitry “Dima” Filosofov

Shannon Koob – Misia Sert

Suzanne Warmanen – Dunya

Joshua Pagan – Leonide Massine

Rachael Hanlon – Ballet Ensemble

Marie Pearce – Ballet Ensemble

Kevin Murdock-Waters – Ballet Ensemble

Ian J. Bethany – Ballet Ensemble

Rob Greenfield – Pianist

 

PRODUCTION TEAM

Peter Rothstein – Director

Kelli Foster Warder – Choreographer

Michael Hoover – Scenic Designer

Susan Branch Towne – Costume Designer

Serret Jensen – Hair and Makeup Designer

Philip Rosenberg – Lighting Designer

Craig Brock – Sound Designer

Scott Groh – Properties Designer

Rodd Simonson – Projection Designer

Amanda Cooley Davis – Dialect Coach

Catherine Anne Tucker – Stage Manager

Catie Tijerina – Assistant Stage Manager

Jenny Dang – Stage Management Intern

About Terrence McNally

Terrence McNally has had a remarkably far-ranging career spanning six decades. He is a recipient of the Dramatists Guild Lifetime Achievement Award and the Lucille Lortel Lifetime Achievement Award, and he is a 2018 inductee of the American Academy of Arts and Letters. Terrence was recently named the 2019 recipient of the Broadway League’s Distinguished Lifetime Service Award in addition to one of three receiving a Lifetime Achievement in Theatre honor at the 2019 Tony Awards. He has won four Tony Awards for his plays Love! Valour! Compassion! and Master Class and his musical books for Kiss of the Spider Woman and Ragtime. He has written a number of TV scripts, including Andre’s Mother, for which he won an Emmy Award. He has received two Guggenheim Fellowships, a Rockefeller Grant, four Drama Desk Awards, two Lucille Lortel Awards, two Obie Awards, and three Hull-Warriner Awards. In 1996, he was inducted into the Theater Hall of Fame.

He wrote the book for the Tony-nominated musical The Visit, which opened on Broadway in the spring of 2015 with music and lyrics by John Kander and Fred Ebb.  He wrote the libretto for the operas Great Scott and Dead Man Walking, both with music by Jake Heggie. He is the writer of the book for the musical Anastasia, which is recently closed on Broadway and is currently touring. A revival of Frankie and Johnny in the Clair de Lune starring Audra McDonald and Michael Shannon is currently running on Broadway for a limited engagement. His newest play, now titled Immortal Longings grew out of Fire and Air, which opened at Classic Stage Company in 2018. Other plays include Tony-nominated Best Play Mothers and Sons; It’s Only a Play; Where Has Tommy Flowers Gone?; The Lisbon Traviata; Lips Together, Teeth Apart; A Perfect Ganesh; Corpus Christi; And Away We Go; The Ritz; and Deuce.

About ZACH Theatre

A non-profit organization, ZACH creates intimate theatre experiences that ignite the imagination, inspire the spirit, and engage the community. As Austin’s leading professional producing theatre, ZACH employs more than 250 actors, musicians, and designers annually to create its own diverse array of nationally recognized plays and musicals under the leadership of Producing Artistic Director Dave Steakley and Managing Director Elisbeth Challener. Each year, ZACH serves nearly 128,000 Central Texans – 55,000 of which are children and youth who participate in our education and outreach programs, as well as inspiring camps and classes.  ZACH Theatre is honored to host private and community events across the beautiful rental-ready spaces on our three-stage campus located in the heart of Austin. Founded in 1932, ZACH is the longest continuously running theatre company in the state of Texas, and one of the ten oldest in the country. Visit www.zachtheatre.org for more information.

ZACH Theatre’s 201819 Season is sponsored in part by The Moody Foundation, Baylor Scott & White Health, Dell, and Holiday Inn-Lady Bird Lake; and by grants from The Shubert Foundation, Junior League of Austin, The National Endowment for the Arts, Texas Commission on the Arts, the Cultural Arts Division of The City of Austin Economic Development Department, and Applied Materials.

Connect with ZACH:
Facebook facebook.com/zachtheatre
Twitter @ZACHtheatre twitter.com/zachtheatre
Instagram instagram.com/zachtheatre

Cast Announced for the World Premiere of Terrence McNally’s Immortal Longings at Zach Theatre

ZACH Theatre is proud to announce the cast for the world premiere of Immortal Longings, the newest work by playwright and American Legend Terrence McNallyDirected by Peter Rothstein and Choreographed by Kelli Foster WarderImmortal Longings will star Broadway veteran Matt McGrath as Sergei Pavlovich Diaghliev. Previews begin June 12 with an Opening Date of June 20 and running through July 14 in The Topfer at ZACH. The world premiere of Immortal Longings is a thoroughly reworked version of Fire and Air which premiered at the Classic Stage Company (CSC) in New York City in the winter of last year.

Four-time Tony Award®-winning playwright and LGBT activist Terrence McNally (RagtimeKiss of the Spider Woman) expresses his excitement on casting, “Matt McGrath is an actor I’ve always wanted to create a role for. He is one of the best actors in New York City. Austin is going to love him. Also, thanks to the audition process, we found wonderful actors from both the Austin and New York ideal for their roles. My hope is that these actors will bring their uniqueness to the play. We have no preconceptions about what these roles are. I’ll discover these characters along with the actors in Austin.” McNally expands on Immortal Longings, “First, we hope the play is a treat; second, plays about a genius like Diaghilev, the great Russian impresario, are not exactly a dime a dozen. His work with the Ballets Russes is the stuff of legends.”

Immortal Longings explores the rich history of the great Russian impresario Sergei Pavlovich Diaghilev and his legendary Ballets Russes, who introduced the world to such revolutionary artists as Nijinsky, Stravinsky and Picasso. Surrounded by great talents of art, design, and music, the tempestuous relationship between Diaghilev and dancer Vaslav Nijinsky revolutionizes dance forever. The play takes place as the iron claw of the Bolsheviks closes in on the free spirits of New Art, forcing them to take refuge in a liberated and liberating Paris, at the birth of the 20th Century.

In addition to MATT McGRATH as Sergei Pavlovich Diaghliev, Immortal Longings will star WYATT FENNER as Vaslav Nijinsky; JAMES PATRICK NELSON as Dmitry “Dima” Filosofov; SHANNON KOOB as Misia Sert; SUZANNE WARMANEN as Dunya; JOSHUA PAGAN as Leonide Massine; RACHEL HANLONMARIE PIERCEKEVIN MURDOCK-WATERS, and IAN BETHANY as Ensemble; and ROB GREENFIELD as Pianist.

Directed by PETER ROTHSTEIN, the production team also includes KELLI FOSTER WARDER as Choreographer, MICHAEL HOOVER as Scenic Designer, SUSAN BRANCH TOWNE as Costume Designer, SERRET JENSEN as Hair and Makeup Designer, PHILIP ROSENBERG as Lighting Designer, Craig Brock as Sound Designer, SCOTT GROH as Properties Designer, AMANDA COOLEY DAVIS as Dialect Coach, and CATHERINE ANNE TUCKER as Stage Manager.

Age recommendation: Seventeen and up for adult language, sexual situations and full nudity.

Special Events in Celebration of Immortal Longings:

  • Pride Night – Thursday, June 13, 2019
  • Wednesday Post-Show Discussion – Wednesday, June 19, 2019
  • ASL Interpreted, Open Captioned, and Audio Described – Wednesday, June 19, 2019
  • Champagne Opening and Press Night – Thursday, June 20, 2019; Press may RSVP to nicole.shiro@motleycrewmedia.com

Tickets start at $25 and are available online at zachtheatre.org, by phone at 512-476-0541, or in person at the ZACH Theatre Box Office, in the Topfer Theatre, 202 South Lamar Boulevard (corner of Riverside Drive and South Lamar) Monday through Saturday, 12–5p.m.  ZACH Theatre is wheelchair accessible.  Student Rush Tickets are $20 one hour before show time (with valid ID). A limited amount of Pay–What–You–Will tickets are available the day–of for Mainstage preview performances only. Groups of 8 or more may request reservations by calling 512-476-0594 x.245 or by emailing groupsales@zachtheatre.org.

Carolyn and Marc Seriff are Presenting Sponsors of Immortal Longings with Kathleen and Harvey Guion and Dan Jackson III and M. Jeremy Guiberteau as Executive Producers and KMFA as Supporting Sponsor.

CAST

Matt McGrath – Sergei Pavlovich Diaghliev

Wyatt Fenner – Vaslav Nijinsky

James Patrick Nelson – Dmitry “Dima” Filosofov

Shannon Koob – Misia Sert

Suzanne Warmanen – Dunya

Joshua Pagan – Leonide Massine

Rachel Hanlon – Ensemble

Marie Pearce – Ensemble

Kevin Murdock-Waters – Ensemble

Ian Bethany – Ensemble

Rob Greenfield – Pianist

 

PRODUCTION TEAM

Peter Rothstein – Director

Kelli Foster Warder – Choreographer

Michael Hoover – Scenic Designer

Susan Branch Towne – Costume Designer

Serret Jensen – Hair and Makeup Designer

Philip Rosenberg – Lighting Designer

Craig Brock – Sound Designer

Scott Groh – Properties Designer

Amanda Cooley Davis – Dialect Coach

Catherine Anne Tucker – Stage Manager

Catie Tijerina – Assistant Stage Manager

Jenny Dang – Stage Management Intern

About Terrence McNally

Terrence McNally has had a remarkably far-ranging career spanning six decades. He is a recipient of the Dramatists Guild Lifetime Achievement Award and the Lucille Lortel Lifetime Achievement Award, and he is a 2018 inductee of the American Academy of Arts and Letters. He has won four Tony Awards for his plays Love! Valour! Compassion! and Master Class and his musical books for Kiss of the Spider Woman and Ragtime. He has written a number of TV scripts, including Andre’s Mother, for which he won an Emmy Award. He has received two Guggenheim Fellowships, a Rockefeller Grant, four Drama Desk Awards, two Lucille Lortel Awards, two Obie Awards, and three Hull-Warriner Awards. In 1996, he was inducted into the Theater Hall of Fame.

He wrote the book for the Tony-nominated musical The Visit, which opened on Broadway in the spring of 2015 with music and lyrics by John Kander and Fred Ebb.  He wrote the libretto for the operas Great Scott and Dead Man Walking, both with music by Jake Heggie. He is the writer of the book for the musical Anastasia, which is recently closed on Broadway and is currently touring. His newest play, now titled Immortal Longings grew out of Fire and Air, which opened at Classic Stage Company in 2018. Other plays include Tony-nominated Best Play Mothers and Sons; It’s Only a Play; Where Has Tommy Flowers Gone?; The Lisbon Traviata; Lips Together, Teeth Apart; A Perfect Ganesh; Corpus Christi; And Away We Go; Frankie and Johnny in the Clair de Lune; The Ritz; and Deuce.

About ZACH Theatre

A non-profit organization, ZACH creates intimate theatre experiences that ignite the imagination, inspire the spirit, and engage the community. As Austin’s leading professional producing theatre, ZACH employs more than 250 actors, musicians, and designers annually to create its own diverse array of nationally recognized plays and musicals under the leadership of Producing Artistic Director Dave Steakley and Managing Director Elisbeth Challener. Each year, ZACH serves nearly 128,000 Central Texans – 55,000 of which are children and youth who participate in our education and outreach programs, as well as inspiring camps and classes.  ZACH Theatre is honored to host private and community events across the beautiful rental-ready spaces on our three-stage campus located in the heart of Austin. Founded in 1932, ZACH is the longest continuously running theatre company in the state of Texas, and one of the ten oldest in the country. Visit www.zachtheatre.org for more information.

ZACH Theatre’s 201819 Season is sponsored in part by The Moody Foundation, Baylor Scott & White Health, Dell, and Holiday Inn-Lady Bird Lake; and by grants from The Shubert Foundation, Junior League of Austin, The National Endowment for the Arts, Texas Commission on the Arts, the Cultural Arts Division of The City of Austin Economic Development Department, and Applied Materials.

Connect with ZACH:
Facebook facebook.com/zachtheatre
Twitter @ZACHtheatre twitter.com/zachtheatre
Instagram instagram.com/zachtheatre

Broadway in Austin Presented by Texas Performing Arts

BROADWAY IN AUSTIN PRESENTED BY TEXAS PERFORMING ARTS ANNOUNCES SIX-TIME TONY AWARD® WINNER DEAR EVAN HANSEN AND DISNEY’S ALADDIN TO ANCHOR THE 2019-20 SEASON WITH ANTICIPATED AWARD-WINNERS AND AUSTIN PREMIERES  

Broadway in Austin presented by Texas Performing Arts

Broadway in Austin presented by Texas Performing Arts 2019-20 Season Lineup is headlined by the six-time Tony Award® pop culture phenomenon DEAR EVAN HANSEN; a thrilling new production filled with unforgettable beauty, Disney’s ALADDIN and a new mesmerizing production launches in Austin JESUS CHRIST SUPERSTAR. Rounding out the incredible Season: HELLO, DOLLY!, COME FROM AWAY and A BRONX TALE.  Make it a 7-show package with LES MISÉRABLES.

LES MISÉRABLES: September 10-15, 2019: (ADD ON)

JESUS CHRIST SUPERSTAR: October 8-13, 2019

DEAR EVAN HANSEN: December 10-15, 2019

HELLO, DOLLY!: January 21-26, 2020

COME FROM AWAY: February 18-23, 2020

DISNEY’S ALADDIN: March 11-22, 2020

A BRONX TALE:  May 5-10, 2020

Bass Concert Hall | 2350 Robert Dedman Drive | Austin, TX

Subscribers can renew their Broadway in Austin presented by Texas Performing Arts 2019-20 Season subscription at 11:00 a.m. on Tuesday, February 12; starting at $224 for six shows and $249 for seven shows.  Subscribers may add the return of LES MISÉRABLES to make it a 7-show package. For more information, patrons can visit BroadwayInAustin.com or call Broadway in Austin at 800-731-SHOW (7469), from 9 a.m. to 5 p.m., Monday through Friday. The deadline for current Season Subscribers to renew their seats is March 12. Groups of 10 or more are also available by calling 877-275-3804 or via email at Austin.Groups@BroadwayAcrossAmerica.com. Individual show ticket sales will be announced at a later date. 

Broadway in Austin presented by Texas Performing Arts is thrilled to announce it’s 2019-20 Season; the ONLYnational touring Broadway series in Austin.  “We’re amid an amazing 2018-19 season, and Broadway in Austin has done it again – blending a season of favorite gems with new powerful, moving and just plain fun shows sure to become favorites.  I can’t wait!” states Rachel Durkin-Drga, Texas Performing Arts Senior Associate Director.

Season Subscribers enjoy the best seats in the house for Broadway hits all season long, plus the option to purchase tickets before the general public. Subscribers also receive great benefits including ticket exchange and replacement services, the opportunity to request a seating upgrade for the season ahead, and much more. The renewal deadline for current subscribers is March 12. 

Broadway in Austin presented by Texas Performing Arts 2019-20 Season features seven incredible productions from September 2019 to May 2020 at Bass Concert Hall.  The six and seven-show packages include:

 

JESUS CHRIST SUPERSTAR

October 8-13, 2019 

“AN ADRENALINE-PUMPING PRODUCTION.”

The New York Times 

“ A GORGEOUS, THRILLING, HEAVENLY MUSICAL”

The Guardian

JESUS CHRIST SUPERSTAR is an iconic musical phenomenon with a world-wide fan base. In celebration of its 50th Anniversary, a new mesmerizing production comes to North America and launches in Austin. With music and lyrics by Emmy, Grammy, Oscar and Tony winners Andrew Lloyd Webber and Tim Rice,JESUS CHRIST SUPERSTAR is set against the backdrop of an extraordinary series of events during the final weeks in the life of Jesus Christ as seen through the eyes of Judas. Originally staged by London’s Regent’s Park Open Air Theatre, this production won the 2017 Olivier Award for Best Musical Revival. 

 

DEAR EVAN HANSEN

WINNER OF SIX 2017 TONY® AWARDS INCLUDING BEST MUSICAL AND THE 2018 GRAMMY® AWARD FOR BEST MUSICAL THEATER ALBUM

December 10-15, 2019 

“ONE OF THE MOST REMARKABLE SHOWS IN MUSICAL THEATER HISTORY.”

The Washington Post 

A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. DEAR EVAN HANSEN is the deeply personal and profoundly contemporary musical about life and the way we live it.

DEAR EVAN HANSEN has struck a remarkable chord with audiences and critics everywhere, including The Washington Post who says DEAR EVAN HANSEN is “one of the most remarkable shows in musical theatre

history.” The New York Times calls it “a gut-punching, breathtaking knockout of a musical.” And NBC Nightly News declares the musical “an anthem resonating on Broadway and beyond.”

DEAR EVAN HANSEN features a book by Tony Award winner Steven Levenson, a score by Grammy®, Tony® and Academy Award® winners Benj Pasek and Justin Paul (La La Land, The Greatest Showman), and direction by four-time Tony Award nominee Michael Greif (Rent, Next to Normal). 

 

HELLO DOLLY!

January 21-26, 2020 

“IT IS, IN A WORD, PERFECTION”

TIME OUT ADAM FELDMAN 

Winner of four Tony Awards® including Best Musical Revival, HELLO, DOLLY! is the universally acclaimed smash that NPR calls “the best show of the year!” and the Los Angeles Times says “distills the mood-elevating properties of the American musical at its giddy best.”  Director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post). After breaking box office records week after week and receiving unanimous raves on Broadway, this HELLO, DOLLY! is now touring America, paying tribute to the original work of legendary director/choreographer Gower Champion – hailed both then and now as one of the greatest stagings in musical theater history. Rolling Stone calls it “a must-see event. A musical comedy dream. If you’re lucky enough to score a ticket, you’ll be seeing something historic. Wow, wow, wow, indeed!” 

 

COME FROM AWAY

February 18-23, 2020 

“IT TAKES YOU TO PLACES YOU NEVER WANT TO LEAVE!”

Newsweek

This New York Times Critics’ Pick takes you into the heart of the remarkable true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them. Cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships. 

 

DISNEY’S ALADDIN

March 11-22, 2020 

“EXACTLY WHAT YOU WISH FOR!”

NBC-TV 

From the producer of THE LION KING comes the timeless story of ALADDIN, a thrilling new production filled with unforgettable beauty, magic, comedy and breathtaking spectacle.  It’s an extraordinary theatrical event where one lamp and three wishes make the possibilities infinite. Hailed by USA Today as “Pure Genie-Us,” ALADDIN features all your favorite songs from the film as well as new music written by Tony® and Academy Award® winner Alan Menken (Newsies) with lyrics penned by the legendary Howard Ashman (Beauty and the Beast),Tony Award winner Tim Rice (The Lion King, Aida), and book writer Chad Beguelin (The Wedding Singer). 

 

A BRONX TALE

May 5-10, 2020

“JERSEY BOYS MEETS WEST SIDE STORY.”

amNewYork

Academy Award® nominee Chazz Palminteri’s teamed up with Academy Award® winner Robert De Niro and Tony® winner Jerry Zaks to create A BRONX TALE, based on Chazz Palminteri’s true life story. This streetwise musical has The New York Times hailing it as “A Critics’ Pick! The kind of tale that makes you laugh and cry.”

Make it a 7-Show Package

 

LES MISÉRABLES

September 10-15, 2019 

“LES MIZ IS BORN AGAIN!”

NY1

Cameron Mackintosh presents the new production of Alain Boublil and Claude-Michel Schönberg’s Tony Award-winning musical phenomenon, Les Misérables, direct from its acclaimed Broadway return. Featuring the beloved songs “I Dreamed A Dream,” “On My Own,” “Stars,” “Bring Him Home,” “One Day More,” and many more, this epic and uplifting story has become one of the most celebrated musicals in theatrical history. With its glorious new staging and dazzlingly reimagined scenery inspired by the paintings of Victor Hugo, this breathtaking new production has left both audiences and critics awestruck. 

CURRENT SUBSCRIBERS CAN RENEW NOW! 

2019-20 Season packages are only available to current, renewing subscribers.  New patrons are encouraged to sign up for the official waiting list at BroadwayinAustin.com and will be notified once new subscriptions become available. 

The six or seven show Broadway in Austin presented by Texas Performing Arts 2019-20 Season subscription packages go on sale beginning 11:00 a.m. on Tuesday, February 12; prices start as low as $224.  Season Subscribers may add the return of LES MISÉRABLESas a seventh show to complete their package for as little as $249.

For more information patrons can visit BroadwayInAustin.com or call Broadway in Austin at 800-731-SHOW (7469), from 9 a.m. to 5 p.m., Monday through Friday. The deadline for current Season Subscribers to renew their seats is March 12. Groups of 10 or more are also available by calling 877-275-3804or via email at Austin.Groups@BroadwayAcrossAmerica.com. Individual show ticket sales will be announced at a later date. 

TEXAS PERFORMING ARTS is situated on the main campus of one of the largest and most prestigious research universities in the country.  Texas Performing Arts serves The University of Texas at Austin campus and the Austin community at large through a diverse season of world-class fine arts performances, educational activities, and collaborative partnerships.  Texas Performing Arts presents an international season of music, theatre, dance, and conversation in our multiple venues, as well as the best in touring Broadway productions and concert attractions. As a university-based arts center it is also committed to serving the academic mission of the College of Fine Arts by supporting the work of our students, faculty and staff on our stages, classrooms, studios and production shops; and in the educational outreach programs it provides for the Austin community.

Broadway Across America (BAA) is part of The John Gore Organization family of companies, which includes Broadway.com, The Broadway Channel, BroadwayBox.com and Group Sales Box Office.  Led by 13-time Tony-winning theater producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 44 markets with over 400,000 subscribers. Presentations include Disney’s The Lion King, Wicked, The Book of Mormon, The Phantom of the Opera and Hamilton. Current and past productions include The Band’s Visit, Beautiful, Cats, Chicago, Dear Evan Hansen, Hairspray, Mean Girls, The Producers and Waitress.

Presented by Texas Performing Arts. Broadway Across America provides production services for Texas Performing Arts. Sales tax exempt pursuant to Texas Tax Code Section 151.3101(a)(3).

Life in the Fast Lane @ Alcatraz East Crime Museum

Six must-see crime cars on display for public viewing

Every year people visit car shows, both near their home, and even states away. The country has a fascination with both old and new models, and car shows give auto enthusiasts a way to see a variety of vehicles all at one time. It also gives them the up-close “look under the hood” experience they can’t get from flipping through a magazine or watching a television show. Car fans can also get up close to significant crime car history at Alcatraz East Crime Museum, where it’s life in the fast lane that attracts visitors as they peruse the six must-see vehicles on public display.

“So many people love cars of all types, and when they are featured in an historical event it makes them even more interesting to our visitors,” explains Rachael Penman, director of artifacts and exhibits at Alcatraz East Crime Museum. “Guests immediately start sharing their own connections to the cars’ stories and it’s special to be able to make these artifacts available to the public.

There are six crime and law enforcement related vehicles on display at the museum, two of which are located outdoors so are free to view. The other four are inside the museum in the Getaway Cars Gallery, which is part of regular admission. The vehicles on display at the museum include:

  • 1933 Essex Terraplane – Actually owned and not stolen by notorious bank robber John Dillinger, he purchased the car new in 1934. Dillinger escaped FBI agents in the car along with his girlfriend Evelyn Frechette, and a bullet from the shootout can still be seen from inside of the car. He soon had to abandon the car after crashing in a field, and signed it over to his brother. 
  • 1934 Ford V8 – The hole-ridden vintage Ford was featured as the death car in classic 1967 film Bonnie and Clyde starring Warren Beatty and Fay Dunaway. The ambush scene set new standards for onscreen violence, and the bullet holes seen in the car were made by local police who shot up the car for filming.  

  • 1968 Volkswagen Beetle – The museum’s VW Beetle was owned by serial killer Ted Bundy. The vehicle was integral to both his murders and his ultimate conviction when it yielded important DNA evidence. The car is displayed without the front passenger seat in the same way Bundy use the car.  

  • 1993 Ford Bronco – Owned and driven by OJ Simpson’s friend Al Cowlings, the white Bronco is the very vehicle where Simpson sat in the back seat during the slow speed chase that so many tuned in to witness.
  • Sevier County Sheriff’s Car – Purchased new in 2007, the Dodge Charger in front of the museum was used by three members of the Sevier County Sheriff’s Office during its 9-year career. It was retired in 2016, and found a new home on loan to the museum educating the public.
  • Government Surveillance Van – Located outside the museum, the van was used the U.S. Food and Drug Administration and a Georgia police department. A display inside the museum gives visitors a behind-the-scenes look at the cramped quarters law enforcement spends time in during a stakeout, with barely enough room to stand and little privacy to use the toilet. The van was in active criminal investigations, including drug crimes and burglary surveillance.

“Our Getaway Cars Gallery is a highly popular area of the museum, and for good reason, as most people own cars so they connect with their stories as objects,” added Penman. “Our crime cars each represent a cautionary tale, symbolizing a warning about the consequences of crime, while our law enforcement vehicles are positive reminders of all law enforcement does every day, both in public and behind-the-scenes, to keep us safe.” 

Alcatraz East Crime Museum offers a variety of permanent and temporary exhibits on all aspects of crime history, CSI, and law enforcement. Current temporary exhibits include “The Second Amendment” until September 2019, “It Happened Here: Tennessee Crimes & Justice,” until May 2019, and permanent displays featuring items such as “Old Smokey,” Tennessee’s electric chair. 

The museum is always adding to its collection, and has a star-studded panel of experts who make up the Advisory Board, including those in law enforcement, collectors, a medical examiner, crime scene investigators, and others. The board includes Jim Willett, a retired prison warden, Anthony Rivera, a combat veteran and Navy SEAL chief, and Judge Belvin Perry, Jr., who is best known for the Casey Anthony trial. For more information and to purchase tickets, visit: www.alcatrazeast.com.

About Alcatraz East

Alcatraz East is the most arresting crime museum in the United States. Guests of all ages can encounter a unique journey into the history of American crime, crime solving, and our justice system. Through interactive exhibits and original artifacts, Alcatraz East is an entertaining and educational experience for all ages – so much fun it’s a crime! This family attraction is located at the entrance of The Island, located at 2757 Parkway, Pigeon Forge, TN. General admission tickets are $14.95 for children, $24.95 for adults. Group ticket sales are available. The museum is open daily from 10 a.m. to 9 p.m., with the last ticket sold 60 minutes before closing. For more information and to purchase tickets, visit: www.alcatrazeast.com.

Crime Museum Offers Visitors Rare Look Inside Surveillance Van, Joins Other Overlooked Gems at Alcatraz East

Former undercover surveillance van joins museum displays

Alcatraz East Building

There’s a new artifact on display at Alcatraz East, but since its focus is on undercover work it might be hard to spot. The crime museum in Pigeon Forge is giving visitors a look inside the workings of law enforcement surveillance, with a van formerly used by the U.S. Food and Drug Administration and a Georgia police department. Visitors can see how agents on a stakeout spend time in the cramped quarters of a van which is not nearly as glamorous as made out to be on television.

“It’s not often that something like this comes along, that was actually used by federal and local law enforcement on criminal cases,” says Rachael Penman, director of artifacts and exhibits. “And it has not been stripped of its equipment, giving visitors a real insider look at how it all works.”

Surprising to most people is the close quarters for the agents to work. In fact, the van doesn’t even allow the undercover officers enough room to stand up straight. It also offers little privacy using the toilet inside. Officers could monitor suspects from four different camera angles and would often spend hours in the tight space during a stakeout.

According to Lilburn, Georgia Police Chief Bruce Hedley, the van was used for several years in active criminal investigations, including drug crimes and burglary stake outs, such as in a neighborhood where there was a rash of car break-ins. From the Getaway Cars Gallery in the museum, guests will be able to see the camera perspective of a detective on a stakeout inside the van, viewing in real time as visitors come and go from the museum.

“I am very proud that the public can look at a very important piece of law enforcement equipment that we used to keep our community safe,” says Chief Hedley.

The surveillance van is not the only artifact in the museum that hides interesting details unseen from the public. The car belonging to the bank robber John Dillinger was involved in a shootout, and although the car was restored by a later owner, they kept one of the bullets visible, but only from inside of the car.

In the over twenty galleries in Alcatraz East, it can be easy to miss some of the most fascinating details of the hundreds of artifacts on view. For instance, the initial “ZT” carved in the brass railgun in the Pirates Gallery or the handwritten notes on the side of the Unabomber’s scale about its calibration. In the Mob Gallery hidden behind Mickey Cohen’s custom suit is his shirt, embroidered with his name. On the end of the sniper rifle used by the University of Texas Sniper are small numbers on a piece of tape, settings for the scope. There are other examples of objects that were designed to be hidden, like the dye pack inside a stack of $20 bills to ward against bank robberies.

Also going on display this week are the winners of Alcatraz East’s Graffiti Art Contest on June 2nd. First, second, and third place winners can now be seen on display, that is, if you’re paying attention. “The exhibit is a bit off the normal museum tour,” says Penman, “a reflection of where you often are when you see graffiti in real life, in alleys, abandon lots, by train tracks and other neglected spaces. We thought it was fitting to maximize our limited space and beautify our own “alleys.”

The museum is always adding to their collection and has a star-studded panel of experts who make up the Advisory Board, including those in law enforcement, collectors, a medical examiner, crime scene investigators, and others. The board includes Jim Willett, a retired prison warden, Anthony Rivera, a combat veteran and Navy SEAL chief, and Judge Belvin Perry, Jr., who is best known for the Casey Anthony trial. For more information and to purchase tickets, visit: www.alcatrazeast.com.

About Alcatraz East

Alcatraz East is the most arresting crime museum in the United States. Guests of all ages can encounter a unique journey into the history of American crime, crime solving, and our justice system. Through interactive exhibits and original artifacts, Alcatraz East is an entertaining and educational experience for all ages – so much fun it’s a crime! This family attraction is located at the entrance of The Island, located at 2757 Parkway, Pigeon Forge, TN. General admission tickets are $14.95 for children, $24.95 for adults. Group ticket sales are available. The museum is open daily from 10 a.m. to 9 p.m., with the last ticket sold 60 minutes before closing. For more information and to purchase tickets, visit: www.alcatrazeast.com.