Disney’s Beauty and the Beast Will Touch Your Heart!

Written By James Nelson, Technology Editor for InFluential Magazine, Spanish InFluential, and Teen InFluential

Photography courtesy of Kirk Tuck.

“Tale as old as time”? If you’re the parent of a young child who has watched a certain Disney animated film on video over and over and over, it might seem that way. When you take that child – or if you just go on your own – to the ZACH Theatre’s production of Disney’s Beauty and the Beast, you may be surprised at how fresh and well-animated it all seems.  Despite all the familiarity of this tale of a cursed prince-turned-beast who manages to win over the smartest, prettiest, and most headstrong girl in a “poor provincial town,” there’s a lightness and sweetness to Artistic Director Dave Steakley’s production that will win you over.

Alexander Mendoza and Briana Brooks in Disney’s Beauty and the Beast at ZACH Theatre.

Alexander Mendoza and Briana Brooks in Disney’s Beauty and the Beast at ZACH Theatre.

The production is also distinguished by its cast. The main cast is solid. They are competent singers as well as actors, thus doing justice to the nature of a musical. The star of the show is clearly Briana Brooks who plays Belle, the Beauty, and Alexander Mendoza, who plays the Beast, is very good too. During the second act, when the plot centers almost exclusively on the romance between Belle and the Beast, Brooks and Mendoza deliver a depth of feeling that makes this play especially heartwarming. It’s no accident this tale that teaches children about the benefits of kindness, courtesy, and respect, has proven so durable with several generations.

Matthew Redden and Cast in Disney’s Beauty and the Beast at ZACH Theatre.

Matthew Redden and Cast in Disney’s Beauty and the Beast at ZACH Theatre.

The supporting performers bring lightheartedness and laughter to the show. The self-absorbed buffoon Gaston is played with gusto by Matthew Redden, who is amusing as he flexes and fumbles in “Me” and the eponymous tune “Gaston” with adorable sidekick LeFou played by Kevin Pellicone never too far away. The happy bunch of household objects that also happen to be the Beast’s servants are highly entertaining with their own individual sparkle and include the hilarious, tightly wound clock Cogsworth played by John Christopher, and his animated candelabra friend Lumiere played by Martin Burke. Sassy Babette played by Jennifer Blakeney Youngi and over-the-top Madame De La Grande Bouche played by June Julian also add fun and flair. Little Chip is played by Wilkes Goodner and Lucca Ostrovich.  Chip’s protective and doting teapot mother Mrs. Potts played by Meredith McCall charmed the crowd with “Beauty and the Beast.”

Alexander Mendoza in Disney’s Beauty and the Beast at ZACH Theatre.

Alexander Mendoza in Disney’s Beauty and the Beast at ZACH Theatre.

The Zach Theatre does a fantastic job with their latest family-friendly production. No matter how old you are, Disney’s Beauty and the Beast will touch your heart and fill it with happiness and hope. Get tickets and be their guest.

Disney’s Beauty and the Beast Plays ZACH’s Topfer Stage from July 11 thru September 2, 2018.

My comments on the accommodations at ZACH Theatre:

  • Greeted immediately and provided a layout of the facility
  • Box office staff very pleasant and friendly. Had our tickets available immediately
  • Nice selection at the bar
  • Acoustics are great
  • All seats have a great view
  • Convenient parking
  • Nice local artwork on display

Austin Shakespeare: Scenes from A Midsummer Night’s Dream

One performance only as finale of Austin Chamber Music Festival

WHO:             Austin Shakespeare 

WHAT:           Scenes from A Midsummer Night’s Dream

WHEN:           4:30 pm Sunday, July 22, 2018

WHERE:        Bates Recital Hall, University of Texas at Austin

TICKETS:      http://austinchambermusic.org/ 

Austin Shakespeare, in collaboration with Austin Chamber Music Center, presents scenes from A Midsummer Night’s Dreamin full period costume on Sunday, July 22 at The University of Texas Bates Recital Hall as the finale of The Austin Chamber Music Festival. Combining music, poetry and movement for the third consecutive year, they will stage highlights of the delightful story of lovers tricked by fairies, and a foolish Bottom transformed into a donkey. The show is punctuated by intervals of music from Beethoven, Bartok, Ravel, and Prokoviev. Artistic Director Ann Ciccolella promises “a surprise Mendelssohn twist!”

With professional Equity actors: Gwendolyn Kelso (Helena), Sharron Bower (Titania, Queen of the Fairies), André Martin (Lysander/Oberon), and Kate Glasheen (Hermia).  Scenes feature Toby Minor (Puck) who recently played the comic Falstaff in The Merry Wives of Windsor in Zilker Park, and Joseph Garlock (Bottom/Demetrius), who played Tybalt in last year’s festival production of Scenes from Romeo and Juliet. Children playing the fairies include: Joseph Blackwood, Rose Marie Barnes, Sparky Anderson, Selah Bell, Aiden and Liam Minor. Chamber music will be played by ACMC’s gifted Artistic Director, Michelle Schumann (piano), along with Sonja Larson (violin) and Nora Karakousoglou (cello), who wowed audiences last summer.

Movement director: Jennifer Whitehurst

Costume designer: Jennifer Rose Davis

Lighting designer: Patrick Anthony

ANN CICCOLELLA, Artistic Director

Ann Ciccolella joined Austin Shakespeare as Artistic Director in August 2007, following an eight-year tenure at Austin’s ZACH Theatre as managing director, and executive director at Austin Circle of Theaters for nine years. Ciccolella led the Renaissance Theater Company for ten years, producing and directing Off-Off Broadway shows. Prior moving to Austin, Ciccolella served for three years as associate director for SHAKESPEARE ON WHEELS from the University of Maryland Baltimore County. In 2013, she directed Off-Broadway for Austin Shakespeare of a new adaptation of Ayn Rand’s Anthem by Jeff Britting at the Baryshnikov Arts Center.

AUSTIN SHAKESPEARE

Austin Shakespeare’s mission is to present professional theatre of the highest quality with an emphasis on the plays of William Shakespeare, bringing to the public performances that are fresh, imaginative, thought-provoking, and eminently accessible, connecting the truths of the past with the challenges and possibilities of today. Founded in 1984 Austin Shakespeare is the only professional classic theatre company in Central Texas.  Austin Shakespeare also brings professional actors and directors directly into the classroom throughout Central Texas.  Austin Shakespeare is a member of the Austin Creative Alliance and is funded in part by the City of Austin through The Cultural Arts Division.

It Was a Perfect Afternoon for Tea Hosted by Ballet Austin Guild!

Photography courtesy of Sarah Siller of Sarah Siller Photography.

The beautiful and historic Driskill Hotel hosted the lovely event.

A gorgeous, sunny day heralded the arrival of excited guests at Ballet Austin Guild’s second annual spring fundraiser tea, “An Afternoon in Neverland”, so named in a nod of support to Ballet Austin’s grand season finale, Peter Pan.  This year’s highly successful sold out event was held inside the gorgeous Driskill hotel, an Austin icon and key event sponsor.

Lovely guests who happen to be a wonderful family of aunts and cousins.

Lovely guests.

Lovely guests.

Guests of all ages arrived in their best tea finery, with beautiful hats and outfits taking center stage. They were ushered in by a cast of costumed characters portrayed by the Hill Country Players, drama students from Hill Country Middle School, much to the delight of the youngest attendees.  Tables beckoned partygoers with exquisite centerpieces provided by Mandarin Design Lab along with towers of luscious treats and an assortment of lovely teas. Adult guests enjoyed a bit of celebratory bubbly as they strolled among the many enticing raffle baskets.

Cookie Ruiz, Executive Director of Ballet Austin and Lorrie Garcia, VP of Communications of Ballet Austin Guild.

Once all were seated, Ballet Austin Sarah & Ernest Family Fund Artistic Director Stephen Mills introduced and spoke a bit about featured speaker, company dancer Chelsea Marie Renner, who danced the role of Wendy in two performances of Peter Pan.

Wonderful guests.

Wonderful guests.

Lovely guests.

Lovely guests.

Wonderful guests.

Wonderful guests.

Chelsea shared that her dream of becoming a professional ballet dancer would not have been realized had there not been vital scholarship opportunities along the way.  She spoke of her family’s many struggles to keep her dancing. Her father owned a small print shop in Bozeman, Montana, and often traded printing jobs for the dance academy in exchange for her tuition.  As Chelsea’s talent and passion for ballet developed and greater but more distant opportunities came along, scholarships were her only hope to continue her training. Chelsea was the very first recipient of the Butler Fellowship Scholarship in 2006, allowing her to join Ballet Austin II prior to moving up to the company.

Brianna McKinney, William Jackson, and lovely guest.

Brianna McKinney, William Jackson, and lovely guest.

William Jackson, long-time attendee, proud supporter of Ballet Austin Guild and Ballet Austin and chief business officer for InFluential Magazine, Spanish InFluential, and Teen InFluential says, “I’m honored to support Ballet Austin Guild.  I’ve have the pleasure to see first hand how hard this amazing group of individuals works to ensure the longevity of the programs offered by Ballet Austin and the availability of the arts throughout the Austin community.   My heart is touched deeply to see beautiful families celebrate together with great laughter, excitement, and love.  It’s also an honor to help to increase awareness through partnerships with InFluential Magazine and Teen InFluential.  I wish these wonderful organizations much continued success and will do my part to ensure their continued successes”.  

Lovely guests.

Lovely guests.

Ballet Austin Guild President Suzanne Mackowiak thanked those in attendance and reminded the audience that all tea proceeds go to Ballet Austin’s Academy Youth Scholarship Fund, making classical ballet training available to any child with a passion and desire to learn, regardless of his or her family’s economic situation.

Learn how you can support Ballet Austin Guild by visiting here.

AN AMERICAN IN PARIS Captivates at Bass Concert Hall

Written By Scott Rigtrup, Contributing Writer for InFluential Magazine

Lexus Broadway in Austin has truly brought the quintessential Broadway production to Austin with their presentation of the Tony Awards Best Musical of 2015 “An American in Paris”!

Set at the end or World War II, the war torn “City of Light” lay decimated at the advent of it’s newly found liberation. As American Forces are leaving Europe headed for home, a U.S. Army Lieutenant Jerry Mulligan, deliberately misses his train home after spying a stunningly beautiful young French lady in the streets of Paris who brings a surge of visions to his imagination that demand to be committed to his canvass’s as a newly inspiring artist.

Jerry soon finds lodging and a new start in Paris through his newly made friend Adam Hochberg, a fellow veteran, pianist and aspiring composer, who finds himself overwhelmed with inspiration to write a musical score worthy of a newly discovered young ballerina of the Paris Ballet.

Adam soon introduces Jerry to the aspiring nightclub star Henri Baurel who is the son of wealthy French industrialists who envision their son leading great industries, which makes Henri fearful of their reaction should they learn about his secret dreams to perform on stage. The only things Henri fears more than his parents is his fear of proposing to his lovely girlfriend, who’s name he refuses to share with Adam and Jerry.

Now with our hopeful band of brothers out to conquer the world of art, music and entertainment, where would we be without a common love interest? Perhaps a young lady seen for only a moment on the streets of Paris? Or, perhaps a talented up and coming starlet of the Paris Ballet? Or, perhaps the childhood friend, now girlfriend of a wealthy young man destine to carry on his family’s industrial heritage? Only the beautiful Lise Dassin could turn this glib trio in to a enamored triangle of confusion and despair, and ever so innocently she does!

“An American in Paris” brings the full regalia of dramatic emotions to stage through engaging dialogue and convincing acting, while all the more, passionately blending an incredibly sumptuous variety of dance that leaves the spectators palette exhaustively satisfied with astounding solo, duet and group performances that inspire a joyous awe.

The plot’s telling collision of lives, carried through resounding vocal performances wafts you in a whirl of energy reminding us all of our strengths and our weaknesses; our resiliencies and our frailties and our good fortune to feel it all. “An American in Paris” chronicles far more than one might ever hope to experience in a lifetime while lifting our aspirations to achieve far more!

Lexus Broadway in Austin presented by Texas Performing Arts

 An American in Paris

May 30 – June 3, 2018

                       Wednesday – Friday at 8 p.m.; Saturday at 2 p.m. & 8 p.m.; Sunday at 1 p.m. & 7 p.m.

Bass Concert Hall | 2350 Robert Dedman Drive | Austin, TX 78712

Start at $30.Tickets are available at BroadwayinAustin.com, texasperformingarts.org, the Bass Concert Hall ticket office, all Texas Box Office Outlets, by phone at (512) 477-6060.  For groups of 10 or more, call (877) 275-3804 or email Austin.groups@broadwayacrossamerica.com.

B*Tru Arts announces 6th Annual InspiroFest

BTrue

B*Tru Arts announces its 6th Annual InspiroFest, a communal artistic festival held at the beautiful and serene Casa De Luz on Saturday, May 12, 2018, starting at noon.

B*Tru Arts’ annual InspiroFest promotes local, multicultural artists in an exciting and enlightening collection of live music, dance, theatre and other artistic performances. B*Tru Arts is working in conjunction with several local businesses and artisans to showcase their unique products while providing great entertainment and a host of interactive activities in a spirited and electrifying atmosphere. The event will also feature healers and workshops in a family-friendly environment while supporting Austin performing arts and education.

Throughout the day, B*Tru Arts will be hosting a silent auction and raffle of unique local goods and services. Attendance is free to the general public, and all proceeds benefit Austin performing arts and education. Parking is available, but carpooling, biking and walking are encouraged.

The festival will take place on Saturday, May 12, 2018 and will be emceed by Travis Duncan, a candidate running for mayor this fall. Don’t miss out on this incredible opportunity to support and be entertained by local artists and businesses. InspiroFest is an exceptionally unique and unprecedented experience fostering and celebrating the diversity, originality, and unity of local artists from all walks of life.

For more information about Inspiro Fest and B*Tru Arts, please visit www.BTruArts.org.

Austin Students Recognized as Texas Young Masters

Photography courtesy of Chris Caselli.

2018 TYM Recipients

2018 TYM Recipients

The 2018 Texas Young Masters Awards took place this week on Monday, April 16, at Austin’s ZACH Theatre. Hosted by honorary chair First Lady Cecilia Abbott, the ceremony honored 15 Texas students with $10,000 multi-year grants to enhance and build their professional artistic studies and provide access to developmental opportunities before college.

(LtoR) Gary Gibbs, Heidi Marquez Smith, Cecilia Abbott, Laura Matz

(LtoR) Gary Gibbs, Heidi Marquez Smith, Cecilia Abbott, Laura Matz

Texas Young Masters is a joint initiative between the Texas Cultural Trust (TCT) and Texas Commission on the Arts (TCA) that recognizes excellence in Texas’ brightest 8th through 11th graders who excel in music, theater, dance, visual arts, and literary arts.

Dallas Black Dance Theatre

Dallas Black Dance Theatre

The biennial event was attended by prominent guests from the Texas arts community. The evening featured a discussion about the importance of art led by Texas artist Cruz Ortiz with Katie Rose Pipkin, 2008 Young Master recipient for visual arts, as well as performances by GRAMMY award-winning choral ensemble Conspirare, who sang an original composition by Allen Robertson, members of Dallas Black Dance Theatre, and Texas’ legendary singer-songwriter and guitarist Joe Ely.

“More than 300 guests joined us in celebrating the future of the arts in Texas as we honored the 2018 class of Texas Young Masters,” said Heidi Marquez Smith, Texas Cultural Trust Executive Director. “Through this program, we recognize exceptional students and offer them opportunity to enhance their artistic study before entering college at prestigious educational programs in Texas and beyond.”  

ABOUT TEXAS CULTURAL TRUST:

The Texas Cultural Trust is a 501(c)(3) nonprofit organization whose mission is to be the leading voice for the arts in education, advocacy, and economic impact in Texas, spotlighting the artistic excellence of our state. This mission is achieved through the Trust’s five initiatives that quantify, promote, and advance the investment in the creative future of Texas. Programs of the Texas Cultural Trust include Art Can, Texas Medal of Arts Awards, Texas Young Masters, Arts & Digital Literacy, and Texas Women for the Arts. For more information about the Texas Cultural Trust, please visit www.txculturaltrust.org. Community support to underwrite Texas Young Masters scholarship grants is also being received through the Trust’s online fundraising campaign. To support, please visit https://txyoungmasters.causevox.com/.

ABOUT TEXAS COMMISSION ON THE ARTS:

The mission of the Texas Commission on the Arts (TCA) is to advance our state economically and culturally by investing in a creative Texas. TCA supports a diverse and innovative arts community in Texas, throughout the nation and internationally by providing resources to enhance economic development, arts education, cultural tourism and artist sustainability initiatives. For more information on TCA and its programs, please visit www.arts.texas.gov.

2018 TEXAS YOUNG MASTERS SPONSORS:

The 2018 Young Masters program was made possible through the generous support of Dr. Ernest and Sarah Butler, Texas Women for the Arts, The SermoonJoy Organization, Neiman Marcus, Wayne Fisher, Jeanne and Mickey Klein, Judy and Kirk Robison, Alturas Foundation, Covert Auto Groups, Kathleen and Ben Keating, Karen and Charles Matthews, Locke Lord LLP, and RWM Foundation.

 

The Irreverent and Wholly Unholy Presentation of “The Book of Mormon”

Written by Scott Rigtrup, Contributing Writer for InFluential Magazine 

Lexus Broadway in Austin has pulled out all the stops with the most irreverent and wholly unholy presentation of the hit Broadway musical “The Book of Mormon”, written by “South Park”’s Trey stone and Matt Smith and “Frozen”’s Robert Lopez!

The Book of Mormon Washington, D.C. November 17, 2017.  Photo Credit: Julieta Cervantes.

The Book of Mormon
Washington, D.C.
November 17, 2017.
Photo Credit: Julieta Cervantes.

As an exuberant army of young men and women are sent throughout all the world to share the glad message of salvation through Jesus Christ, the talented and overly confident Elder Price and the nerdy, pathological lying Elder Cunningham are called to be the most incompatible of companions to serve their two year missions in the war torn, poverty stricken, famine bound, AIDS epidemic ravaged East African country of Uganda.

Utter culture shock and despair overwhelms the eager companions as they realize that the people of their assigned village are much more preoccupied with curing themselves of AIDS and maggot infestations and not being killed or mutilated by a tyrannical warlord than learning about religion.

The Book of Mormon Washington, D.C. November 17, 2017.  Photo Credit: Julieta Cervantes.

The Book of Mormon
Washington, D.C.
November 17, 2017.
Photo Credit: Julieta Cervantes.

Feeling forsaken, Elder Price’s lifelong prayers and dream of serving in Orlando Florida in the shadows of Disney World are utterly obliterated before his eyes as he plunges in to an abyss of despair, all the while Elder Cunningham ecstatically receives yet another answer to his prayers by getting Elder Price as his new best friend, who according to mission rules can’t leave him!

All goes awry when Elder Price’s faith waivers and he decides to request a transfer and abandons Elder Cunningham, just when the villagers have been convinced by the young and beautiful Ugandan Nabalungi to listen to the missionaries message, as she clings to her hopeful dream that they all might escape their horrific lives by being baptized and trekking to the Promise Land, Salt Lake City.

The Book of Mormon Washington, D.C. November 17, 2017.  Photo Credit: Julieta Cervantes.

The Book of Mormon
Washington, D.C.
November 17, 2017.
Photo Credit: Julieta Cervantes.

Just when Elder Cunningham thinks he’s lost his “obligatory” best friend forever, his pathological lying kicks in to overdrive as he grapples with capturing and keeping the villagers attention with the seemingly irrelevant teachings of the scriptures and low and behold he hysterically creates some uncouth, yet relevant scriptures of his own that incites all of the villagers to choose to be baptized.

Never has any such success as this happened in the Ugandan missionary efforts, which brings recognition to Elder Cunningham by way of a visit from the Mission President, who is unexpectedly sat down and proudly presented a play created and performed by the villagers of their newfound teachings, all of which had barely a glimmer of resemblance to the actual teachings, which infuriates the Mission President who then fiercely reprimands Elder Cunningham and his unwitting fellow missionaries and the villagers.

The Book of Mormon Washington, D.C. November 17, 2017.  Photo Credit: Julieta Cervantes.

The Book of Mormon
Washington, D.C.
November 17, 2017.
Photo Credit: Julieta Cervantes.

Amidst incredible feelings of dejection, never will you hear a chorus fill the hall with such angelic hilarity as when the young group of missionaries revolt against their Mission President and band together with the villagers to form their own church based upon the scriptures of Elder Cunningham, bringing a joyous new life to all, including the Prodigal Son, Elder Price!

2017-2018 Broadway In Austin season packages are on sale now! For more information and to become a Broadway In Austin Season Subscriber, visit BroadwayInAustin.com or call 800.731.7469.

Local Artist Couple Display Their Works at Briscoe Museum Night of Artists Exhibit

Caroline and William Carrington

Caroline and William Carrington

San Antonio based artist, Caroline Carrington and husband, William Carrington, new-found sculptor, display their love of Western landscapes and wildlife through their works on display at the Briscoe Western Art Museum’s 2018 Night of Artists Art Show and Exhibition.  

Husband and wife artists Caroline and William Carrington share a joint admiration for Texas land and wildlife and have turned their passion into full-fledged careers. Both native San Antonians, Caroline grew up in the Texas Hill Country where she discovered her love of art which led to a career in landscape painting.  William, who made a career switch from production design to teaching art and elementary education, is currently entering the second year of his full-time endeavor as a sculptor of wild animals. This artistic duo’s works are currently on display at the Briscoe Museum’s 2018 Night of Artists Art Show & Exhibition which is open to the public until May 6, 2018.

Learn more about Briscoe Museum at www.briscoemuseum.org.

 

You’re Invited to An Afternoon in Neverland Hosted by Ballet Austin Guild

Ballet Austin Guild’s 2nd Annual Fundraising Tea celebrating Ballet Austin’s season finale, Peter Pan.  Proceeds support Ballet Austin’s Academy Youth Scholarship Fund.

 Sunday, April 29, 2018

Driskill Hotel

604 Brazos St, Austin, TX 78701

512-439-1234

https://driskillhotel.com/

 1:00 – 3:00 PM

Ticket Info:  $75 for adults, $35 children 12 and under

https://www.eventbrite.com/e/an-afternoon-in-neverland-tickets-39336316983?aff=es2

Event Information:

Never grow up! Please join Ballet Austin Guild as we present “An Afternoon in Neverland”, our second annual Sunday tea. Adults will enjoy a traditional tea menu while sipping on tea, and champagne, of course; and children will get their own special tea menu to please their palates. As a prelude to Ballet Austin’s performance of Peter Pan, we will be celebrating with fabulous décor by Mandarin Design Lab, live music, fun photo ops, characters from the beloved children’s book and festivities for guests of all ages.  Learn about Ballet Austin from Artistic Director Stephen Mills and hear about the importance of dance and dance scholarships from a Ballet Austin dancer. Amazing raffle baskets will be available (think weekend in Colorado, spa days, family day out, etc.) and all proceeds go to Ballet Austin’s Academy Youth Scholarship Fund. Your ticket purchase makes classical ballet training available to any child with a passion and desire to learn, regardless of his or her family’s economic situation. Help us reach our goal in raising $60,000 for the Youth Scholarship Program!

About Ballet Austin Guild:

Celebrating our 34rd year hosting our Spring Fundraiser, Ballet Austin Guild continues its mission in supporting and promoting Ballet Austin in its commitment to excellence in dance through fundraising, community outreach, and education. We are a group of dedicated volunteers who have supported and furthered the mission of Ballet Austin for over 40 years. The Guild consists of energetic volunteers who want to learn more about ballet and contribute to one of Austin’s finest cultural institutions. The Guild is open to anyone with an interest in promoting Ballet Austin. For more membership information, please visit our
website, https://balletaustin.org/contribute/guild

Presenting Sheila Elias: Painted Pixels

May 17 – September 23, 2018 - Lowe Art Museum University of Miami.

Art has been a part of Sheila Elias’s life for as long as she can remember: at the tender age of eight year, she was so moved by a work by Henri Matisse on view at the Art Institute of Chicago that she told her Mother on the spot that she was going to attend art school there. And that is exactly what she did 2 years later! Such grit and determination has served Elias well over the course of her long and distinguished career, which has equally benefited from her restless curiosity, her enormous versatility, and her willingness to take risks. This nimbleness is reflected in the chameleon-like quality of her oeuvre, which includes sculpture, collage, drawings, photography, painting, and now painted pixels.

Horned Deity

60 x 48 Horned Deity

Elias first began making art in the digital sphere when she tired of transferring art supplies between Miami and New York in 2010. In 2010 she purchased her first Apple Ipad, treating the screen of her device like a canvas or sketchpad, she relished the creative possibilities that technologies has opened up, which have only fueled her already vast and prolific creative output. The artist notes:

“I do many sketches every day and some are related to final finished products. I produce these as scales on a piano to write the symphony or a writer writing notes for a novel. There is a great deal of freedom doing small sketches both in content and material and this allows more freedom in the final stages. I like to bring an awareness of new directions and individual inventiveness. The evolution of technology has always paralleled my work throughout its development. From the original copy machine to today’s iPad, the influence of electronics permeates my process. Through life experience, I incorporate visual, emotional, and psychological impressions and feed them into my art. My work, whether it is photography, sculpture, or paintings, has always been a visual interpretation of my internal landscape, which is significantly influenced by external landscapes. I attempt to portray a visual language that has hopefully not been spoken before”.

 

unnamed (4) 

For more information visit www.sheilaelias.com.